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Friday, July 29, 2011

The Tata Titans - The Indian Company

There is a difference between making money for oneself and creating wealth for others. This is the story of a business house that has created wealth for a nation. It is a story of struggle, anxiety, adventure and achievement. This is the story of our pioneers.

Jamsetji TataJamsetji Tata: The Founder of the Tata group began with a textile mill in central India in the 1870s. His powerful vision inspired the steel and power industries in India, set the foundation for technical educaton, and helped the country leapfrog from backwardness to the ranks of industrialised nations.


Sir Dorab TataSir Dorab Tata: Through his endeavours in setting up Tata Steel and Tata Power, this elder son of Jamsetji Tata was instrumental in transforming his father's grand vision into reality. It was also under his leadership that the Sir Dorabji Tata Trust, the premier charitable endowment of the Tatas, was created, propelling the Tata tradition of philanthropy.

Sir Ratan TataSir Ratan Tata: Jamsetji Tata's younger son had a personality that reflected his sensitivity to the struggles of ordinary people and his desire to utilise his considerable wealth to enhance the quality of public life. A philanthropist all his life, he created a trust fund for "the advancement of learning and for the relief of human suffering and other works of public utility." The Sir Ratan Tata Trust is today the second largest of the Tata trusts.

JRD TataJRD Tata: The late chairman of the Tata Group pioneered civil aviation on the subcontinent in 1932 by launching the airline now known as Air India. That was the first of many path-breaking achievements that JRD, who guided the destiny of the Group for more than half a century, came to be remembered for.

Naval TataNaval Tata: Naval Tata's many contributions in the fields of business, sports administration and labour relations symbolised all that is best in the Tata spirit of giving back to society and the communities in which its enterprises grow.


JAMESEJI TATA

Born On: March 3, 1839
Born In: Navsari, Gujarat, India
Died On: May 19, 1904
Occupation: Industrialist, Entrepreneur
Nationality:
Indian


Whenever we think of the name Jamsetji Tata, we think of the expansive Tata Group of companies which continue to rule the industrial world of India till today. Jamsetji Tata founded the vast industrial empire that has received an identity today all over the world. Jamsetji Tata belonged to a trading family and business ran in his blood, therefore it was quite natural that he chose to be a businessman very early in his life. However, little did anybody know that Jamsetji Tata would be successful in redefining the concept of industries in India and would be listed in the pages of history as the 'Father of Indian Industry'!

Early Life
Born as Jamsetji Nusserwanji Tata on March 3, 1839, Jamsetji Tata was the son of Nusserwanji Tata, the only businessman in a Parsi family that earned its living as Zoroastrian priests. Along with his wife Jeevanbai Tata, Nusserwanji Tata had moved out of his family to carry on his passion of business in Bombay. Nusserwanji Tata started off as a small trader, but nevertheless did quite well. Jamsetji Tata completed his graduation at Elphinstone College in Bombay, where he was known as such a bright student that the principal decided to refund Jamsetji Tata's fees once he completed his degree. Jamsetji Tata took up trading at a very early age of 14, a time when he was still studying. Since child marriage was practiced during those days, the future business tycoon got married at the tender age of sixteen to the ten year old Hirabai Daboo.

He graduated from college in 1858 and joined his father's trading firm. It was a turbulent time to step into business as the Indian Rebellion of 1857 had just been suppressed by the British government.

Career As A Businessman
Though Jamestji Tata started off working ever since he was 14, his real contribution came only after he had graduated in 1858. He became actively involved in his father's export business at a time when the business scenario in India was far from prosperous, largely because of the Sepoy Mutiny of 1857, which had been suppressed by the British Raj and had taken India by storm. Nevertheless, Nusserwanji Tata sent his son on a trip to Hong Kong in 1859 to expand his business interests there, a work that Jamsetji Tata completed successfully. Jamsetji Tata remained in Hong Kong for the next four years, trying to fulfill and realize his father's dream of setting up a branch of the Tata & Co. office there. The establishment of the new Tata & Co. office in Hong Kong was the beginning of the expansion of the Tata empire throughout Asia and the first step towards the creation of Tata & Sons.

By the year 1863, there were Tata offices not only in Hong Kong, but also in Japan and China. Following the huge business success in Asia, Jamsetji Tata now traveled to Europe, but unlike in Asia, he faced with a drawback in the initial stages. Part of Jamsetji Tata's aims in visiting England, apart from increasing the number of contacts for his father's export business based in India, was to establish an Indian Bank in London. This project, however, proved highly unsuccessful for the Tatas because it was not a favorable time for the banking sector, with a financial crisis hitting the markets in several parts of India. The Tata companies in India and all over Asia faced huge monetary loss after the failure of the establishment of the Indian bank.

Later Stages of Career
Jamsetji Tata worked with his father until the age of 29, after which he started a trading company of his own. This was in the year 1868, following which Jamsetji Tata gradually acquired and established several cotton mills of his own. The Empress Mill set up in Nagpur in 1874 brought Jamsetji Tata huge amounts of money. The name of the mill was so inspired after Queen Victoria became the Empress Of India. The mills made large amounts of profit, but were thereafter sold off by Jamsetji Tata for a higher sum of money. Jamsetji Tata's cotton mills produced cloth which were used in India and also exported to countries of Japan, Korea, China and several parts of the Middle East. The mills were largely established to satisfy Jamsetji Tata's business acumen, but it may be recalled that the Dharamsi cotton mill which was later renamed to Swadeshi cotton mill kept the nationalistic sentiment in mind and made use of only Indian products, particularly promoting the non-use of British raw material.

Just like it is today, even in the pre-independent era, Jamsetji Tata made it a point to look after the best interests of the workers in Tata & Sons. The Tata companies were then also known to provide the best working atmosphere for its workers. Policies which were unheard of during those times, like medical facilities for the sick and for women with children, provision of pensions, accident compensations and on the job training, were a part of the companies owned by Jamsetji Tata. It was Jamsetji Tata who appealed to the Japanese Steam Navigation Company to reduce freight charges, a factor which was largely diminishing his profits. Though it was for the benefit for the entire nation, Jamsetji Tata made it a point to spend his own money to get the case solved when his demands led to huge upheavals in Japan. Eventually, Jamsetji Tata did emerge successful in reducing freight charges and thereby increasing profits for Indian traders.

Business Legacy
The cotton mills did satisfy his business acumen, but to remain stuck on the production of cloth was not the aim of Jamsetji Tata. His vision was to establish an iron and steel plant, a world class hotel, a learning institution and a hydro electric power project. Among his four wishes, only the second was fulfilled during Jamsetji Tata's lifetime when the Taj Mahal Hotel was established on December 3, 1903. In 1901, Jamsetji Tata traveled to Europe and America to educate himself on the making of steel. In addition, he made it a point to educate himself on the latest technological progress that had taken place over the years all around the world so that he may use it for the betterment of the industries under Tata & Sons. Sadly, Jamsetji Tata could not stay alive to realize his dream of establishing an iron and steel plant in India.

Death
Jamsetji Tata breathed his last on May 19, 1904. He was the sole inspiration behind a group that today is one of the biggest industries of not only India but of the world also.

Legacy
Post Jamshetji Tata's death, The Tata Group was succeeded by his two sons, Dorabji Tata and Ratanji Tata. One of the most affluent, prosperous and well-to-do organizations, the Tata Group is today amongst the largest and most respected companies of the world. A pioneer of his field, the vision and aim of Jamsetji Tata came to life with time as his family gave wings to each of his dream projects. In fact, such was his contribution that the city of Jamshedpur in Jhakhand is today popularly known as Tatanagar, because of the many facilities that the group has endowed the city with. Today, the group boasts of being the founder of projects like Tata Steel, the Indian Institute of Science, the Tata Power Company Limited, the Taj Mahal Palace & Tower, the Tata Institute of Fundamental Research and many more.

Timeline
1839: Jamsetji Tata was born on March 3.
1853: He married Hirabai Daboo.
1858: Joined his father's trade firm.
1868: Established his first independent company.
1874: Set up the Empress Mill.
1901: Traveled to Europe and America to receive education on making of steel.
1903: Established the Taj Mahal Hotel.
1904: Died on May 19.


JRD TATA

JRD Tata
Born: July 29, 1904
Died: on November 29, 1993
Achievements: He had the honor of being India's first pilot; was Chairman of Tata & Sons for 50 years; launched Air India International as India's first international airline; received Bharat Ratna in 1992.

JRD Tata was one of the most enterprising Indian entrepreneurs. He was a pioneer aviator and built one of the largest industrial houses of India.

JRD Tata was born on July 29, 1904 in Paris. His mother was a French, while his father was Parsi. JRD's full name was Jehangir Ratanji Dadabhoy Tata and he was popularly known as Jeh to his friends. JRD's father Ratanji Dadabhoy Tata and Sri Jamsetji Tata shared their greatness from the same great-great-grandfather, Ervad Jamsheed Tata, a priest of Navsari.

JRD Tata was the second of four children. He was educated in France, Japan and England before being drafted into the French army for a mandatory one-year period. JRD wanted to extend his service in the forces but destiny had something else in store for him. By leaving the French army JRD's life was saved because shortly thereafter, the regiment in which he served was totally wiped out during an expedition in Morocco.

JRD Tata joined Tata & Sons as an unpaid apprentice in 1925. He has great interest in flying. On February 10, 1929, JRD became the first Indian to pass the pilot's examination. With this distinctive honor of being India's first pilot, he was instrumental in giving wings to India by building Tata Airlines, which ultimately became Air India. His passion for flying was fulfilled with the formation of the Tata Aviation Service in 1932.

In 1938, at the age of 34, JRD was elected Chairman of Tata & Sons making him the head of the largest industrial group in India. He started with 14 enterprises under his leadership and half a century later on July 26, 1988, when he left , Tata & Sons was a conglomerate of 95 enterprises which they either started or in which they had controlling interest.

JRD was the trustee of Sir Dorabji Tata Trust from its inception in 1932, which remained under his wings for over half a century. Under his guidance, this Trust established Asia's first cancer hospital, the Tata Memorial Center for Cancer, Research and Treatment, Bombay, 1941. It also founded the Tata Institute of Social Sciences, 1936 (TISS), the Tata Institute of Fundamental Research, 1945 (TIFR), and the National Center for Performing Arts.

In 1948, JRD Tata launched Air India International as India's first international airline. In 1953, the Indian Government appointed JRD as Chairman of Air-India and a director on the Board of Indian Airlines-a position JRD retained for 25-years. For his crowning achievements in Aviation, JRD was bestowed with the title of Honorary Air Commodore of India.

In 1956, JRD Tata initiated a program of closer "employee association with management" to give workers a stronger voice in the affairs of the company. He firmly believed in employee welfare and espoused the principles of an eight-hour working day, free medical aid, workers' provident scheme, and workmen's accident compensation schemes, which were later, adopted as statutory requirements in India.

JRD Tata cared greatly for his workers. In 1979, Tata Steel instituted a new practice; a worker is deemed to be "at work" from the moment he leaves home for work till he returns home from work. The company is financially liable to the worker if any mishap takes place on the way to and from work. Tata Steel Township was also selected as a UN Global Compact City because of the quality of life, conditions of sanitation, roads and welfare that were offered by Tata Steel.

JRD Tata received a number of awards. He received the Padma Vibhushan in 1957 on the eve of silver jubilee of Air India. He also received the Guggenheim Medal for aviation in 1988. In 1992, because of his selfless humanitarian endeavors, JRD Tata was awarded India's highest civilian honor, the Bharat Ratna-one of the rarest instances in which this award was granted during a person's lifetime. In the same year, JRD Tata was also bestowed with the United Nations Population Award for his crusading endeavors towards initiating and successfully implementing the family planning movement in India, much before it became an official government policy.

JRD Tata died in Geneva, Switzerland on November 29, 1993 at the age of 89. On his death, the Indian Parliament was adjourned in his memory-an honor not usually given to persons who are not Members of Parliament.

RATAN TATA

Ratan Tata

Born: December 28, 1937
Achievement: Honored with Padma Bhushan, one of the highest civilian awards in 2000.

Ratan Tata is presently the Chairman of Tata Sons, the holding company of the Tata Group. Ratan Naval Tata is also the Chairman of the major Tata companies such as Tata Steel, Tata Motors, Tata Power, Tata Consultancy Services, Tata Tea, Tata Chemicals, Indian Hotels and Tata Teleservices. He has taken Tata Group to new heights and under his leadership Group's revenues have grown manifold.

Ratan Tata was born on December 28, 1937, in Bombay. He received a Bachelor of Science degree in architecture from Cornell University in 1962. Ratan Tata had a short stint with Jones and Emmons in Los Angeles, California, before returning to India in late 1962. He joined the Tata Group and was assigned to various companies before being appointed director-in-charge of The National Radio & Electronics Company (NELCO) in 1971. Ratan Tata was appointed Chairman of Tata Industries in 1981. He was assigned the task of transforming the company into a Group strategy think-tank, and a promoter of new ventures in high technology businesses.

In 1991, Ratan Tata took over the Chairmanship from JRD Tata. Under him Tata Consultancy Services went public and Tata Motors was listed in the New York Stock Exchange. In 1998, Tata Motors came up with Tata Indica, the first truly Indian car. The car was the brainchild of Ratan Tata.

Ratan Tata was honored with Padma Bhushan, one of the highest civilian awards in 2000. He was also conferred an honorary doctorate in business administration by Ohio State University, an honorary doctorate in technology by the Asian Institute of Technology, Bangkok, and an honorary doctorate in science by the University of Warwick.

Raja Ravi Varma - Indian painter

Raja Ravi Varma (April 29, 1848 - October 2, 1906) was an Indian painter from the princely state of Travancore who achieved recognition for his depiction of scenes from the epics of the Mahabharata and Ramayana. His paintings are considered to be among the best examples of the fusion of Indian traditions with the techniques of Europeanacademic art.

Varma is most remembered for his paintings of beautiful sari-clad women, who were portrayed as shapely and graceful. His exposure in the west came when he won the first prize in theVienna Art Exhibition in 1873. Raja Ravi Varma died in 1906 at the age of 58. He is considered among the greatest painters in the history of Indian art


Raja Ravi Varma
BornApril 29, 1848
Kilimanoor, Travancore
DiedOctober 2, 1906 (aged 58)
Kilimanoor, Travancore,
India
OccupationPainter


Raja Ravi Varma was born on 29th April 1848, in Kilimanoor, a small town of Kerala. He is known for his amazing paintings, which revolve mainly around the great epics of Mahabharata and Ramayana. Raja Ravi Varma is one of the few painters who have managed to accomplish a beautiful unison of the Indian traditions with the techniques of European academic art. He left for the holy abode on 2nd October 1906, leaving behind his legacy of amazing paintings. Raja Ravi Verma's paintings of beautiful sari clad women have also received recognition in the west. As we move on further, we will come across more information related to Raja Ravi Varma's biography and life history:

Life

Raja Ravi Varma was born to Umamba Thampuratti and Neelakandan Bhattathiripad in the royal palace of Kilimanoor. The inborn talent of the painter started showing at a very tender age. Recognizing the innate aptitude of their child, his parents sent him to study under the patronage of Ayilyam Thirunal Maharaja of Travancore, when he was only 14 years old. He received tutelage, first, from the palace painter Rama Swamy Naidu and then, from Theodor Jenson, a British painter.

Raja Ravi Varma got married to Rani Bhageerathi Bayi (Kochu Panki Amma) of Mavelikara Royal House. He spent the later years of his life in Mysore, Baroda and a number of other cities in the country. This exposure helped him in broadening his outlook. At the same time, he was able to expand as well as sharpen his skills and evolve into a mature painter.

Raja Ravi Varma is most remembered for his paintings of beautiful sari clad women, who were portrayed as very shapely and graceful. His exposure in the west came when he won the first prize in Vienna Art Exhibition in 1873. After a successful career as a painter, Raja Ravi Varma died in 1906 at the age of 58. He is generally considered as one among the greatest painters in the history of Indian art.

Raja Ravi Varma came to widespread acclaim after he won an award for an exhibition of his paintings at Vienna in 1873. He travelled throughout India in search of subjects. He often modeled Hindu Goddesses on South Indian women, whom he considered beautiful. Ravi Varma is particularly noted for his paintings depicting episodes from the story of Dushyanta and Shakuntala, and Nala and Damayanti, from the Mahabharata. Ravi Varma's representation of mythological characters has become a part of the Indian imagination of the epics. He is often criticized for being too showy and sentimental in his style. However his work remains very popular in India.

Prominent works

The following is a list of the prominent works of Ravi Varma.

Village Belle
Lady Lost in Thought
Damayanti Talking to a Swan
The Orchestra
Arjuna and Subhadra
Lady with lemon
The Heartbroken
Swarbat Player
Shakuntala
Lord Krishna as Ambassador
Jatayu, a bird devotee of Lord Rama is mauled by Rawana
Victory of Indrajit
A Family of Beggars
A Lady Playing Swarbat
Lady Giving Alms at the Temple
Lord Rama Conquers Varuna
Nair Woman
Romancing Couple
Draupadi Dreading to Meet Kichaka
Shantanu and Matsyagandha
Shakuntala Composing a Love Letter to King Dushyanta
Girl in Sage Kanwa's Hermitage (Rishi-Kanya)
Asthasiddi
Lakshmi
Saraswati
bheesma pledge
Yashoda decorating Krishna
Gangavataranam
Ravi VarmaShakuntala, a character in the epic Mahabharata]]
Shakuntala despondent

Philosophical outlook

Raja Ravi Varma's philosophical outlook is not known or documented, especially his understanding of Western Art forms, though it should be acknowledged that he received formal and systematic training. Those who seek to critically examine his contribution are severely impaired in their project by the absence of any literature written by him. (one would require an interpretation of the diary maintained by his younger Brother, C. Raja Raja Varma, himself an accomplished painter, who in later years assisted him in his paintings and was his personal secretary.

Criticism of Raja Ravi Varma

Ravi Varma's There comes Papa: Lady with Child. The lady in the picture is his daughter Rani Mahaprabha of Mavelikara, mother of Maharani Sethu Lakshmi Bayi of TravancoreRaja Ravi Varma is often criticized for the fact that his paintings overshadowed traditional Indian art forms because of their widespread reproduction as oleographs, flooding Indian culture with his version of Indian myths, portrayed with a rather static realism. According to Dasgupta[citation needed], by dispensing with stylisation in favor of stiff academicism, Ravi Varma can be considered as having in one stroke undermined traditional Indian art, which was both dynamic and rich in form and content. One can find an illustration of this argument in the figures of Durga in West Bengal or in the folk form of Madhubani Paintings[5]. In comparison, Ravi Varma's approach clearly lacks this dynamism of expression. Moreover, his approach of frontality has severe limitations in terms of space and movement. By rejecting the traditional models of representation (for example, the Chitrasutra, the treatise on art outlined in Vishnudharmottara Purana), he has reduced mythic heroes to the level of ordinary humans, a form that has been copied in many depictions of mythic history in other media such as cinema and television. Dadasaheb Phalke, considered the father of Indian cinema, is thought to have been influenced by Ravi Varma's static realism.

Contemporary homages

In 1993, art critic/conservator Rupika Chawla and artist A Ramachandran jointly curated a large exhibition of Ravi Varma's works at the National Museum, New Delhi.

Considering his vast contribution to Indian art, the Government of Kerala has instituted an award called Raja Ravi Varma Puraskaram, which is awarded every year to people who show excellence in the field of art and culture. Awardees include:

K.G. Subramanian (2001)
M.V. Devan (2002)
A Ramachandran (2003)
Vasudevan Namboodiri (2004).
Kanai Kunhiraman (2005)
V.S. Valliathan[2006]
M.F. Hussain[2007]
A college dedicated to fine arts was also constituted in his honour at Mavelikara, Kerala. The renewed interest in Ravi Varma has spilled into the area of popular culture as films and music videos have started using his images.

Professional Aspects

Raja Ravi Varma received systematic training, first in the traditional art of Thanjavoor and then, in the European art. He is credited with providing the critical link between Thanjavoor School and Western academic realism. His paintings can be classified into the following three categories:
  • Portraits
  • Portrait-based Compositions
  • Theatrical Compositions, based on myths and legends
It is the third category of paintings for which Raja Ravi Varma is the most renowned. He was continuously traveling through the length and breadth of India, in order to find subjects for his paintings. His love for the South Indian women is depicted through his works. In many of his paintings, he has modeled Hindu Goddesses on the women living in the southern parts of India. The most popular as well as impressive paintings of Raja Ravi Verma include the ones depicting episodes from the story of Dushyanta and Shakuntala and that of Nala and Damayanti.

At times, Raja Ravi Varma is criticized for being too showy in his paintings. His paintings are also condemned for overshadowing traditional Indian art forms, especially the ones depicting Hindu Gods and Goddesses. Raja Ravi Varma's approach is said to lack the dynamism of expression seen in the traditional paintings. Critics have also disapproved of his rejecting the traditional models of representation of deities and reducing them to the level of mortals.

Recognition

In recognition of the immense contribution of Raja Ravi Varma towards Indian art, the Government of Kerala has instituted an award in his name. Known as the 'Raja Ravi Varma Puraskaram', the award is given to individuals who show considerable promise in the field of art and culture. There is a college in Mavelikara district of Kerala, established in the honor of Raja Ravi Verma. He also received international recognition in 1873, when he won the first prize for hispaintings at the Vienna Art Exhibition.

Notable Works of Raja Ravi Varma

Given below is a comprehensive list of the prominent works of Raja Ravi Varma:
  • A Family of Beggars
  • A Lady Playing Swarbat
  • Arjuna and Subhadra
  • Damayanti Talking to a Swan
  • Draupadi Dreading to Meet Kichaka
  • Girl in Sage Kanwa's Hermitage (Rishi-Kanya)
  • Jatayu (a bird devotee of Lord Rama is mauled by Rawana)
  • Lady Giving Alms at the Temple
  • Lady Lost in Thought
  • Lady with Fruit
  • Lord Krishna as Ambassador
  • Lord Rama Conquers Varuna
  • Nair Woman
  • Romancing Couple
  • Shakuntala
  • Shakuntala Composing a Love Letter to King Dushyanta
  • Shantanu and Matsyagandha
  • Swarbat Player
  • The Heartbroken
  • The Orchestra
  • Victory of Indrajit

Early life

The Studio used by Raja Ravi Varma during his stay at The Laxmi Vilas Palace

Raja Ravi Varma was born as Ravi Varma Koil Thampuran of Kilimanoor palace in the erstwhile princely state of Travancore(thiruvithankur) in Kerala. His father Ezhumavail Neelakanthan Bhattatiripad was an accomplished scholar, and his mother Umayamba Thampuratti (d.1886) was a poet and writer whose work Parvati Swayamvaram would be published by Raja Ravi Varma after her death. His siblings were C. Goda Varma (b.1854), C. Raja Raja Varma (b.1860) and Mangala Bayi Thampuratti, who was also a painter. At a young age he secured the patronage of HH Maharajah Ayilyam Thirunal of Travancore, ( a relative, and began formal training thereafter.[1] He was trained in water painting by Rama Swami Naidu, and later in oil painting by Dutch portraitist Theodor Jenson. Raja Ravi Varma High school for Boys & Girls are situated at Kilimanoor in his memory. There are lot of other cultural organizations throughout Kerala in his name. His palace is nearly 6 Kilometer from Ponganadu and 7.7 kilometer from Pazhayachanda.

Art career

The Maharashtrian Lady
The Lady in the picture is Mahaprabha Thampuratti of Mavelikara, the artist's daughter and mother of HH Sethu Lakshmi Bayi.
The demi-god vulture Jatayu is struck down by the demon Ravana, as Jatayu attempted to intercede in the demon's kidnapping of Sita.

Raja Ravi Varma received widespread acclaim after he won an award for an exhibition of his paintings at Vienna in 1873. Raja Ravi Varma's paintings were also sent to the World's Columbian Exposition held in Chicago in 1893 and he was awarded two gold medals.[2] He travelled throughout India in search of subjects. He often modeled Hindu Goddesses on South Indian women, whom he considered beautiful. Ravi Varma is particularly noted for his paintings depicting episodes from the story of Dushyanta and Shakuntala, and Nala and Damayanti, from the Mahabharata. Ravi Varma's representation of mythological characters has become a part of the Indian imagination of the epics. He is often criticized for being too showy and sentimental in his style. However his work remains very popular in India. His many fabulous paintings are available at Laxmi Vilas Palace of Vadodara.

Title of Raja

In 1904 Viceroy Lord Curzon, on behalf of the King Emperor bestowed upon Raja Ravi Varma the Kaiser-i-Hind Gold Medal. At this time his name was mentioned as "Raja Ravi Varma" for the first time, raising objections from Maharajah Moolam Thirunal of Beypore in Malabar and beides, as per the Marumakkathayam tradition, the name of the maternal uncle (Raja Raja Varma) was prefixed to the name. Thereafter he was always referred to as Raja Ravi Varma.[1]

In 1993, art critic Rupika Chawla and artist A Ramachandran jointly curated a large exhibition of Raja Ravi Varma's works at the National Museum, New Delhi. Considering his vast contribution to Indian art, the Government of Kerala has instituted an award called Raja Ravi Varma Puraskaram, which is awarded every year to people who show excellence in the field of art and culture. Awardees include:

A college dedicated to fine arts was also constituted in his honour at Mavelikara, Kerala. The renewed interest in Raja Ravi Varma has spilled into the area of popular culture as films and music videos have started using his images.

Personal life

Maharani Sethu Lakshmi Bayi, granddaughter of Raja Ravi Varma

Raja Ravi Varma was married to Pururuttathi Nal Bhageerathi Amma Thampuran (Kochu Pangi) of the Royal House of Mavelikara and they had two sons and three daughters.

Their eldest son, Kerala Varma, born in 1876 went missing in 1912 and was never heard of again. Their second son was Rama Varma (b.1879), an artist who studied at the JJ School of Arts,Mumbai, married to Srimathi Gowri Kunjamma, sister of Dewan PGN Unnithan.

Raja Ravi Varma's elder daughter, Ayilyam Nal Mahaprabha Thampuran, appears in two of his prominent paintings and was mother of Maharani Sethu Lakshmi Bayi of Travancore. He had another daughter, Thiruvadira Nal Kochukunji Thampuran, grandmother of Chithira Thirunal Balarama Varma Maharajah. His third daughter, born in 1882, was Ayilyam Nal Cheria Kochamma Thampuran.

His descendants comprise the Mavelikara Royal house while two of his granddaughters, including the said Sethu Lakshmi Bayi, were adopted to the Travancore Royal Family, the cousin family of the Mavelikara House, to which lineage the present Travancore Maharaja Uthradom Thirunal Marthanda Varma belongs. Well known among his descendants are writer Shreekumar Varma(Prince Punardam Thirunal), artists Rukmini Varma (Princess Bharani Thirunal) and Jay Varma, classical musician Aswathi Thirunal Rama Varma and others.

List of major works

The following is a list of the prominent works of Ravi Varma.

Works by Other artists on Raja Ravi Verma

Bollywood film maker Ketan Mehta Directed a Movie Rang Rasiya on the life of Raja Ravi Verma in 2008 in which actor Randeep Hoodaplayed the role of the artist. It is yet to be released commercially.

Bibliography

English

  • Raja Ravi Varma: Painter of Colonial India by Rupika Chawla, Pub: Mapin Publishing, Ahmedabad, March 2010, ISBN 9780944142417
  • Raja Ravi Varma - Oleographs Catalogue by Dr. D.Jegat Ishwari, Pub: ShriParasuraman, Chennai, 2010, Isbn:9788191002614
  • Ravi Varma Classics -2008, Pub: Genesis Art Foundation, Cochin-18;45 clour plate with text by Vijayakumar Menon.
  • Raja Ravi Varma - The Most Celebrated Painter of India: 1848-1906, Parsram Mangharam, Bangalore, 2007
  • Raja Ravi Varma - The Painter Prince: 1848-1906, Parsram Mangharam, Bangalore, 2003
  • Raja Ravi Varma and the Printed Gods of India, Erwin Neumayer & Christine Schelberger, New Delhi, Oxford University Press, 2003
  • Raja Ravi Varma: The Most Celebrated Painter of India : 1848 - 1906, Classic Collection, Vol I & II. Bangalore, Parsram Mangharam, 2005
  • Raja Ravi Varma: Portrait of an Artist , The Diary of C. Raja Raja Varma/edited by Erwin Neumayer and Christine Schelberger. New Delhi, Oxford University Press, 2005
  • Divine Lithography, Enrico Castelli and Giovanni Aprile, New Delhi, Il Tamburo Parlante Documentation Centre and Ethnographic Museum, 2005
  • Photos of the Gods: The Printed Image and Political Struggle in India by Christopher Pinney. London, Reaktion Book, 2004

Malayalam

  • Ravi Varma - A critical study by Vijayakumar Menon, Pub: Kerala Laitha Kala Akademy, Trissur, 2002
  • Raja Ravi Varmayum chitrkalayum, Kilimanoor Chandran, Department of Cultural Publications, Kerala Government, 1999.
  • Chithramezhuthu Koyithampuran, P.N Narayana Pillai.
  • Raja Ravi Varma, N. Balakrishnan Nair.

Marathi


Books on Raja Ravi Varma


In English


Raja Ravi Varma - The Most Celebrated Painter of India: 1848-1906, Parsram Mangharam, Bangalore, 2007
Raja Ravi Varma - The Painter Prince: 1848-1906, Parsram Mangharam, Bangalore, 2003
Raja Ravi Varma and the Printed Gods of India, Erwin Neumayer & Christine Schelberger, New Delhi, Oxford University Press, 2003
Raja Ravi Varma : The Most Celebrated Painter of India : 1848 - 1906, Classic Collection, Vol I & II. Bangalore, Parsram Mangharam, 2005
Raja Ravi Varma : Portrait of an Artist , The Diary of C. Raja Raja Varma/edited by Erwin Neumayer and Christine Schelberger. New Delhi, Oxford University Press, 2005
Divine Lithography, Enrico Castelli and Giovanni Aprile, New Delhi, Il Tamburo Parlante Documentation Centre and Ethnographic Museum, 2005
Photos of the Gods : The Printed Image and Political Struggle in India by Christopher Pinney. London, Reaktion Book, 2004

In Malayalam

Raja Ravi Varmayum chitrkalayum, Kilimanoor Chandran, Department of Culturural Publications, Kerala Government,1999.
Chithramezhuthu Koyithampuran ,P.N Narayana Pillai.
Raja Ravi Varma, N. Balakrishnan Nair.